{"id":5,"date":"2020-03-27T15:04:36","date_gmt":"2020-03-27T15:04:36","guid":{"rendered":"https:\/\/cc.acm.org\/2021\/?page_id=5"},"modified":"2021-10-11T20:03:43","modified_gmt":"2021-10-11T20:03:43","slug":"general-information","status":"publish","type":"page","link":"https:\/\/cc.acm.org\/2021\/general-information\/","title":{"rendered":"General Information"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"5\" class=\"elementor elementor-5\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-beaa86c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"beaa86c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7a281129\" data-id=\"7a281129\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2524975d elementor-widget elementor-widget-text-editor\" data-id=\"2524975d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<!-- wp:heading {\"style\":{\"color\":{\"text\":\"#781214\"}}} -->\n<h2 class=\"has-text-color\" style=\"color: #781214;\">C&amp;C 2021 Call for Participation<\/h2>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p>ACM Creativity &amp; Cognition 2021 invites papers, pictorials, artworks, as well as posters, demonstrations, and graduate student symposium submissions investigating how interactive computing systems and socio-technical processes affect creativity. Of particular interest are contributions that relate to this year\u2019s conference theme: Creativity, Craft, and Design.<\/p>\n<p>The theme highlights how human and computational aspects of creativity can beneficially impact our communities and cultures, and how human experience impacts and is impacted by processes of creatively forming and solving problems, designing spaces, and building new possibilities.<\/p>\n<p>We invite submissions that address any and all human senses, including visual, sonic, tangible, olfactory, and somaesthetic modalities. We invite new approaches to and forms of data, such as first-person and visual methods, and text analysis, as well as qualitative and quantitative data methodologies typically employed in human-computer interaction research.<\/p>\n<h2><strong>Important Deadlines<\/strong><\/h2>\n<h3><strong>Dates for Papers, Pictorials<\/strong><\/h3>\n<ul>\n<li>For papers only: abstract &amp; title submission due: February 1<sup>st<\/sup>, 2021<\/li>\n<li>Full submissions due: February 8<sup>th<\/sup>, 2021<\/li>\n<li>Notifications: April 9<sup>th<\/sup>, 2021<\/li>\n<li>Camera-ready completion deadline: April 26<sup>th<\/sup>, 2021<\/li>\n<\/ul>\n<h6>\u00a0<\/h6>\n<h3><strong>Dates for Artworks<\/strong><\/h3>\n<ul>\n<li>Abstract &amp; title submission due: \u00a0February1<sup>st<\/sup>, 2021<\/li>\n<li>Full submissions due: February 8<sup>th<\/sup>, 2021<\/li>\n<li>Notifications: April 9<sup>th,<\/sup> 2021<\/li>\n<li>Camera-ready completion deadline: April 26<sup>th<\/sup>, 2021<\/li>\n<\/ul>\n<h6>\u00a0<\/h6>\n<h3><strong>Dates for Posters, Technology Demonstrations,\u00a0<\/strong><strong>Graduate Symposium<\/strong><\/h3>\n<ul>\n<li>Submissions Due: April 14<sup>th<\/sup>, 2021<\/li>\n<li>Notifications: April 25<sup>th<\/sup>, 2021<\/li>\n<li>Camera-Ready Deadline: May 9<sup>th<\/sup>, 2021<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p>All papers, pictorials, artworks, posters and demonstrations accepted for publication to the C&amp;C 2021 virtual conference will also be invited to present\/exhibit at the C&amp;C 2022 conference in Venice. Authors will be given the opportunity to update their presentations and artworks in 2022 to reflect new work, advances and lessons learned after the 2021 conference. Returning authors and exhibitors will also be offered a discount to attend the C&amp;C 2022 conference.<\/p>\n<h2><strong>Submission types<\/strong><\/h2>\n<p>All <a href=\"https:\/\/cc.acm.org\/2021\/papers\/\"><strong>paper<\/strong><\/a> lengths apply to the template required for each submission type. For all submissions apart from pictorials, this is the ACM SIGCHI submission template format. For pictorials, this is the InDesign template.<\/p>\n<p>Research <a href=\"https:\/\/cc.acm.org\/2021\/papers\/\"><strong>paper<\/strong><\/a><strong>s<\/strong>\u00a0should communicate the results of research into various forms of creativity from creativity-support environments, and computing technologies to their interplay with innovative form and experiences of art, craft and design.<\/p>\n<p><a href=\"https:\/\/cc.acm.org\/2021\/pictorials\/\"><strong>Pictorials<\/strong><\/a> should communicate a compelling narrative in which visual components (e.g. sketches, illustrations, renderings, diagrams, photographs, annotated photographs, collages) are foregrounded as key elements of the contribution.<\/p>\n<p><a href=\"https:\/\/cc.acm.org\/2021\/artworks\/\"><strong>Artwork<\/strong><\/a> submissions should describe an artwork, installation, composition, or performance to be presented at the online conference on June 23<sup>rd<\/sup>, 2021.<\/p>\n<p><a href=\"https:\/\/cc.acm.org\/2021\/posters\/\"><strong>Posters<\/strong><\/a> should highlight early-stage research results that show promise for maturing into a future paper submission.<\/p>\n<p><a href=\"https:\/\/cc.acm.org\/2021\/technical-demonstrations\/\"><strong>Demonstrations<\/strong><\/a> should present novel socio-technical systems, digital or online tools, and\/or interactive environments that aim to enable, enhance, or otherwise benefit creative experiences. Ideally, the demonstration should elicit hands-on experiences for the conference attendees.<\/p>\n<p><a href=\"https:\/\/cc.acm.org\/2021\/graduate-student-symposium\/\"><strong>Graduate Student Symposium<\/strong><\/a> is open to students in a doctoral research program or a masters-level program in arts and design. Submissions should communicate current research\/design progress and a planned direction of work relevant to the conference, and how the student will benefit from the guidance provided by peers and senior colleagues.<\/p>\n<h2><strong>Submission Site<\/strong><\/h2>\n<p>All submission types will use the Precision Conference (PCS) website below:<br \/><a href=\"https:\/\/new.precisionconference.com\/submissions\">https:\/\/new.precisionconference.com\/submissions<\/a><\/p>\n<h3><strong>Anonymization Policy<\/strong><\/h3>\n<p>All papers, notes, posters, and demonstration PDFs and videos must be submitted anonymously for review. Author and affiliation sections and credits must be left blank. Authors of accepted submissions will address this in preparation of \u201ccamera-ready\u201d copy.<\/p>\n<p>We use the <a href=\"https:\/\/chi2018.acm.org\/chi-anonymized-policy\/\">ACM CHI Anonymization Policy<\/a> of blind reviewing. We use a relaxed model that does not attempt to conceal all traces of identity from the body of the paper. Authors are expected to remove author and institutional identities from the title and header areas of the paper, as noted in the submission instructions (Note: changing the text colour of the author information is not sufficient). Also, please make sure that identifying information does not appear in the document\u2019s metadata (e.g., the \u2018Authors\u2019 field in your word processor\u2019s \u2018Save As\u2019 dialog box).<\/p>\n<p>Authors must leave citations to their previous work non-anonymized so that reviewers can ensure that all previous research has been taken into account by the authors. Authors should cite their own work in the third person, e.g., avoid \u201cAs described in our previous work [10], \u2026 \u201d and use instead \u201cAs described by [10], \u2026\u201d<\/p>\n<h2><strong>Attendance Policy<\/strong><\/h2>\n<p>At least one author of an accepted submission (in any track above) is required to pay the appropriate registration fee and to attend the conference virtually to present the work.<\/p>\n<h2><strong>More information<\/strong><\/h2>\n<p style=\"text-align: left;\">If you have further questions about the overall program or submission to C&amp;C 2021, contact the Program Chairs: program2021@cc.acm.org.<\/p>\n<!-- \/wp:paragraph -->\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>C&amp;C 2021 Call for Participation ACM Creativity &amp; Cognition 2021 invites papers, pictorials, artworks, as well as posters, demonstrations, and graduate student symposium submissions investigating how interactive computing systems and socio-technical processes affect creativity. Of particular interest are contributions that relate to this year\u2019s conference theme: Creativity, Craft, and Design. The theme highlights how human&hellip;&nbsp;<a href=\"https:\/\/cc.acm.org\/2021\/general-information\/\" class=\"\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">General Information<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"off","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages\/5"}],"collection":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/comments?post=5"}],"version-history":[{"count":83,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages\/5\/revisions"}],"predecessor-version":[{"id":2236,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages\/5\/revisions\/2236"}],"wp:attachment":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/media?parent=5"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}