{"id":80,"date":"2020-03-28T09:38:30","date_gmt":"2020-03-28T09:38:30","guid":{"rendered":"https:\/\/cc.acm.org\/2021\/?page_id=80"},"modified":"2021-10-10T20:24:21","modified_gmt":"2021-10-10T20:24:21","slug":"pictorials","status":"publish","type":"page","link":"https:\/\/cc.acm.org\/2021\/pictorials\/","title":{"rendered":"Pictorials"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"80\" class=\"elementor elementor-80\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2775e2e3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2775e2e3\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-71d05324\" data-id=\"71d05324\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3b48a107 elementor-widget elementor-widget-text-editor\" data-id=\"3b48a107\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p><!-- wp:heading {\"style\":{\"color\":{\"text\":\"#781214\"}}} --><\/p>\n<h2 class=\"has-text-color\" style=\"color: #781214;\"><strong>2021 Call for Pictorials<\/strong><\/h2>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><strong>Conference Special Theme: <\/strong><em>Creativity, Craft and Design<\/em><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><strong>Pictorials Special Theme: <\/strong><em>Ways of Seeing and Ways of Knowing, Ways of Saying and Ways of Showing<\/em><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3><strong>Important Dates<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<ul>\n<li>Pictorials submission deadline: February \u00a08<sup>th<\/sup>, 2021, 11:59 PM<\/li>\n<li>Notifications: April 9<sup>th<\/sup>, 2021<\/li>\n<li>Camera-ready completion deadline: April 26<sup>th<\/sup>, 2021, 11:59 PM<\/li>\n<\/ul>\n<p>Deadlines are specified as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Anywhere_on_Earth\">Anywhere on Earth<\/a> time. The submissions site will open in December, 2020.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:list --><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3><strong>Pictorial Chairs<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:list --><\/p>\n<ul>\n<li>Eli Blevis, Indiana University<\/li>\n<li>Jennifer Jacobs, University of California Santa Barbara<\/li>\n<\/ul>\n<p>Contact <u><a href=\"mailto:pictorials2021@cc.acm.org\">pictorials2021@cc.acm.org<\/a><\/u><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3><strong> Program Committee <\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:list --><\/p>\n<ul>\n<li>Marianela Ciolfi Felice, KTH Royal Institute of Technology<\/li>\n<li>Kayla DesPortes, New York University<\/li>\n<li>Joep Frens, University of Technology Eindhoven (TU\/e)<\/li>\n<li>Nadya Peek, University of Washington<\/li>\n<li>Jie Qi, University of Tokyo<\/li>\n<li>Cl\u00e1udia Silva, University of Lisbon (Instituto Superior T\u00e9cnico)\/ ITI-LARSyS<\/li>\n<li>Omar Sosa-Tzec, San Francisco State University<\/li>\n<li>Cesar Torres, University of Texas at Arlington<\/li>\n<li>Huaxin Wei, Hong Kong Polytechnic University<\/li>\n<li>Danielle Wilde, University of Southern Denmark<\/li>\n<\/ul>\n<p><!-- \/wp:list --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3><strong>Pictorials Theme<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>The theme of the ACM C&amp;C 2021 Pictorials track is <em>Ways of Seeing and Ways of Knowing, Ways of Saying and Ways of Showing. <\/em>The pictorials format challenges contributors to rethink the ways in which we create and report knowledge at the boundaries and intersections of creativity, cognition, and design.<\/p>\n<p>By ways of seeing, we mean to prompt pictorial contributions that demonstrate different forms of looking at things\u2014including<br \/>observation, making, or other approaches. By ways of knowing, we mean to prompt pictorial contributions that explain how the<br \/>knowledge they embody is evidenced, encoded, and shared. By ways of saying, we mean to prompt pictorial contributions that share skillful and accessible narratives. By ways of showing, we mean to prompt pictorial contributions that present compelling, professional quality, and possibly novel, forms of presentation. In particular we seek contributions that skillfully integrate and chunk texts, typographies, and visual materials in a manner which is essential to the work.<\/p>\n<p>We invite pictorial submissions that interpret this theme broadly, push the boundaries of the format, and exhibit professional quality in every detail.<\/p>\n<h4>A Very Brief History of Pictorials<\/h4>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Pictorials in the ACM digital library first appear in the proceedings of DIS 2014 and have continued to appear annually since. Pictorials first appeared at C&amp;C 2017 and have appeared again in 2019 and continue now in 2021. TEI also now has a pictorials track. Importantly, pictorials have received the same standards of review as papers and are considered an archival contribution. At C&amp;C in particular, pictorials are presented and archived as equivalent to full papers. The pictorials track at C&amp;C operates like a subcommittee of the papers track at CHI. See acknowledgements below for a more detailed account of whom has contributed and established the form.<\/p>\n<h3><strong>Format<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>In addition to the instructions below, we emphasize that authors must provide a clear statement of contribution. We recommend that the contribution statement addresses their work in relation to the special theme.<\/p>\n<p>Pictorials must be submitted using the C&amp;C 2021 Pictorials templates (below) and not exceed <em>12 pages<\/em>, excluding references. On the first page of the submission please keep with the template and include the submission\u2019s title, author(s) and their affiliation(s) (leave blank for double blind review), and a written abstract of no more than 150 words succinctly describing the background and context of the pictorial as well as its contribution to the C&amp;C community. Further written parts known from other conference formats such as Introduction, Conclusion, Discussion, Acknowledgements, and References are optional. The main part of the submission should be an annotated visual composition and we encourage submissions to use the format creatively. The templates do not themselves include any example images nor variety of layout suggestions in order not to restrict authors\u2019 imaginations in pushing at the boundaries of the form. The pictorial form requires that the visual materials are primary. Please see the lists of published pictorials below for a starting point.<\/p>\n<p>PCS allows file sizes up to\u00a0about 150 MB, but we suggest that you keep reviewers in mind and experiment\u00a0with lower resolution to make the submission considerably smaller.<\/p>\n<p>We strongly advise you to\u00a0use the InDesign template to compose your Pictorial. If you do not have access\u00a0to InDesign, please use the Word or PowerPoint templates.<\/p>\n<ul>\n<li>C&amp;C 2021 inDesign Template Package (.zip) (<a href=\"https:\/\/cc.acm.org\/2021\/wp-content\/uploads\/2020\/07\/ACMCC2021Pictorials-inDesign-template-JUN2020-Folder.zip\">https:\/\/cc.acm.org\/2021\/wp-content\/uploads\/2020\/07\/ACMCC2021Pictorials-inDesign-template-JUN2020-Folder.zip<\/a>)<\/li>\n<li>C&amp;C 2021 Word Template (.docx) (<a href=\"https:\/\/cc.acm.org\/2021\/wp-content\/uploads\/2020\/07\/ACMCC2021Pictorials-WORD-template-JUN2020.docx\">https:\/\/cc.acm.org\/2021\/wp-content\/uploads\/2020\/07\/ACMCC2021Pictorials-WORD-template-JUN2020.docx<\/a>)<\/li>\n<li>C&amp;C 2021 PowerPoint Template (.pptx) (<a href=\"https:\/\/cc.acm.org\/2021\/wp-content\/uploads\/2020\/07\/ACMCC2021Pictorials-PowerPoint-template-JUN2020.pptx)\">https:\/\/cc.acm.org\/2021\/wp-content\/uploads\/2020\/07\/ACMCC2021Pictorials-PowerPoint-template-JUN2020.pptx<\/a>)<\/li>\n<\/ul>\n<p>Many thanks to Sabrina\u00a0Hauser for her work on these templates over years.<\/p>\n<p><em>Important Note on\u00a0Accessibility<\/em><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Although the general\u00a0instructions for ACM papers have changed this year, pictorials continue in the\u00a0landscape format that has been developed for them. The templates above are the\u00a0same as those introduced for DIS 2020 pictorials, except with the headers\u00a0changed. One of the primary reasons that ACM is moving to a new publications\u00a0workflow for papers is accessibility. Pictorials authors are required to be\u00a0sure that they produce accessible work. Please be sure that \u201cEnable\u00a0Accessibility and Reflow with tagged Adobe PDF\u201d is checked when you create your\u00a0PDF submissions file. Please be sure that all images have correct associated\u00a0Alt Text. Please see:<\/p>\n<ul>\n<li>Instructions for inDesign (<a href=\"https:\/\/eur02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.adobe.com%2Faccessibility%2Fproducts%2Findesign%2Falt-text.html&amp;data=02%7C01%7Cc.sas%40lancaster.ac.uk%7Cd9f8ca0074f143c6b2c008d80cb08d08%7C9c9bcd11977a4e9ca9a0bc734090164a%7C0%7C0%7C637273300044053876&amp;sdata=hhecg7TCjO3ulsujI9c59Lu0A98wSRZm0JpXtg0tOEI%3D&amp;reserved=0\">https:\/\/www.adobe.com\/accessibility\/products\/indesign\/alt-text.html<\/a>)<\/li>\n<li>Instructions for Word or PowerPoint (<a href=\"https:\/\/eur02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fsupport.microsoft.com%2Fen-us%2Foffice%2Fadd-alternative-text-to-a-shape-picture-chart-smartart-graphic-or-other-object-44989b2a-903c-4d9a-b742-6a75b451c669&amp;data=02%7C01%7Cc.sas%40lancaster.ac.uk%7Cd9f8ca0074f143c6b2c008d80cb08d08%7C9c9bcd11977a4e9ca9a0bc734090164a%7C0%7C0%7C637273300044063869&amp;sdata=0Xg%2BIga%2F6Q0DH6KpYNJX9CKVq9mhOgYpQaUJV7nr88U%3D&amp;reserved=0\">https:\/\/support.microsoft.com\/en-us\/office\/add-alternative-text-to-a-shape-picture-chart-smartart-graphic-or-other-object-44989b2a-903c-4d9a-b742-6a75b451c669<\/a>)<\/li>\n<\/ul>\n<h6>\u00a0<\/h6>\n<h3><strong>Where to submit<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Please submit via the Precision Conference (PCS) website\u00a0below:\u00a0<a href=\"https:\/\/new.precisionconference.com\/submissions\">https:\/\/new.precisionconference.com\/submissions<\/a>.\u00a0<span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var(--nv-site-bg);\">Once you have logged into the PCS website, select the\u00a0<\/span><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var(--nv-site-bg);\">following options (which will become available early next year) under\u00a0<\/span><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var(--nv-site-bg);\">\u201cSubmissions\u201d and click the Go button.<\/span><\/p>\n<ul>\n<li>Society: SIGCHI<\/li>\n<li>Conference\/Journal: Creativity &amp; Cognition 2021<\/li>\n<li>Track: Creativity &amp; Cognition 2021 Pictorials<\/li>\n<\/ul>\n<p>Please submit via the Precision Conference (PCS) website\u00a0below:\u00a0<a href=\"https:\/\/new.precisionconference.com\/submissions\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/new.precisionconference.com\/submissions<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<h3><strong>Review and selection<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Double blind-review submissions are juried by the C&amp;C Pictorials program committee, recruited from academia and industry by the chairs of the venue. Accepted C&amp;C Pictorials will be distributed by the conference and in the ACM Digital Library where they will remain accessible to researchers and practitioners worldwide. Authors will be expected to attend the conference and will be assigned a time and location to present accepted submissions to conference attendees.<\/p>\n<h3><strong>Questions<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><a href=\"mailto:pictorials2021@cc.acm.org\">pictorials2021@cc.acm.org<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3>Additional Information<\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Pictorials are papers\u00a0in which the visual components (e.g. annotated photographs, Art work, collages,\u00a0diagrams, field notes, illustrations, photographs, renderings, sketches) are\u00a0the primary means of conveying information with at least, if not more, importance\u00a0as the accompanying text.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Pictorials are part of\u00a0the technical program. Pictorials are equivalent contributions to Full Papers\u00a0in every way (e.g. production standards, archival qualities, reviewing\u00a0standards, presentation times, institutional reporting). The differences are in\u00a0the format.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Like full papers, the\u00a0possibilities of content and approach for pictorials are broad. They may be a\u00a0reporting of\u2014for examples\u2014research though design, or ethnography, or empirical\u00a0work, or theoretical work, or thoughtful essays on the role of creativity,\u00a0cognition, and design in the world. That is, the possible approaches to\u00a0pictorials are as varied as the possible approaches to full papers. Success is\u00a0a matter of quality and contribution of knowledge\u2014broadly defined\u2014to the field,\u00a0rather than approach.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Like full papers, the\u00a0content of your pictorial is expected to be your own original work for the most\u00a0part. While it is perfectly fine to include some visual materials created by\u00a0others with attributions and permissions, such materials must be clearly marked\u00a0as reference rather than main argument. Just as you would not write a\u00a0text-oriented paper that is mostly quotes to others, your pictorial must not\u00a0rely overly on visual materials created by others. On the other hand, your\u00a0pictorial is expected to reference and build on the work of others with the\u00a0same scholarly integrity as a full paper.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Pictorials differ from\u00a0full papers in form only. They are 12 pages not including references in a\u00a0purpose designed landscape format. Production values matter more. They should\u00a0be at most half text, and it is theoretically possible that a pictorial may\u00a0have no text at all outside of the front matter and references. A pictorial\u00a0that is more than half text is likely better submitted as a paper. Pictorials\u00a0are an opportunity to report and showcase primarily original visual forms and\u00a0insights with the same contribution potentials as other archival forms.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3><strong>What to submit<\/strong><\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>We welcome submissions related to understanding human creativity in its many manifestations as well as the conference theme of <em>Creativity, Craft, and Design.\u00a0<\/em><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var(--nv-site-bg);\">We encourage authors to themselves be creative with their submissions and to compose highly visual submissions, which could consist of but are not limited to: annotated photographs, Artwork, collages, diagrams, field notes, illustrations, photographs, renderings, sketches.<\/span><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3>Awards<\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>This CFP is modeled\u00a0after texts designed by previous Pictorials chairs, both specifically for\u00a0C&amp;C 2017 and C&amp;C 2019,\u00a0as well as more generally those used for DIS 2014, 2016, 2017, 2018, &amp; 2019. This year we will offer Best pictorial\u00a0awards and nominations for Best pictorials awards in proportion to the number\u00a0of submissions received, as we did in 2019.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:heading {\"level\":3} --><\/p>\n<h3>Previous Creativity and Cognition Pictorials<\/h3>\n<p><!-- \/wp:heading --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><strong>Pictorials from C&amp;C 2017 Complete listing<\/strong><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Eli Blevis. 2017. Qualities of Focus. In\u00a0Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition<br \/>(C&amp;C \u201817). ACM, New York, NY, USA, 309-322. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3059454.3059485\">https:\/\/doi.org\/10.1145\/3059454.3059485<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Zhide Loh, Jung-Joo Lee, and Kee Hong Song.\u00a02017. Long Live the Sensor! Designing with Energy Harvesting. In Proceedings of<br \/>the 2017 ACM SIGCHI Conference on Creativity and Cognition (C&amp;C \u201817). ACM,\u00a0New York, NY, USA, 323-335. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3059454.3059488\">https:\/\/doi.org\/10.1145\/3059454.3059488<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Jenny Waycott and Hilary Davis. 2017. Sharing\u00a0the Housebound Experience through Visual Storytelling. In Proceedings of the<br \/>2017 ACM SIGCHI Conference on Creativity and Cognition (C&amp;C \u201817). ACM, New\u00a0York, NY, USA, 2-14. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3059454.3059487\">https:\/\/doi.org\/10.1145\/3059454.3059487<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Huaxin Wei and Betty Durango. 2017. Beyond Level\u00a0Blueprints: Visualizing the Progression of Emotion and Narrative Driven Games.<br \/>In Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition\u00a0(C&amp;C \u201817). ACM, New York, NY, USA, 171-183. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3059454.3059489\">https:\/\/doi.org\/10.1145\/3059454.3059489<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Andrew Quitmeyer. 2017. The First Hiking Hacks:\u00a0Exploring Mobile Making for Digital Naturalism. In Proceedings of the 2017 ACM<br \/>SIGCHI Conference on Creativity and Cognition (C&amp;C \u201817). ACM, New York, NY,\u00a0USA, 197-208. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3059454.3059486\">https:\/\/doi.org\/10.1145\/3059454.3059486<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><strong>Pictorials from C&amp;C 2019 Complete Listing<\/strong><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Shunying An Blevis, Eli Blevis, and Bonnie\u00a0Nardi. 2019. All the Tea in China: Interaction Design Inspirations. In<br \/>Proceedings of the 2019 on Creativity and Cognition (C&amp;C \u201919). Association\u00a0for Computing Machinery, New York, NY, USA, 333\u2013345. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3325480.3326569\">https:\/\/doi.org\/10.1145\/3325480.3326569<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Dan Lockton, Devika Singh, Saloni Sabnis,\u00a0Michelle Chou, Sarah Foley, and Alejandro Pantoja. 2019. New Metaphors: A<br \/>Workshop Method for Generating Ideas and Reframing Problems in Design and\u00a0Beyond. In Proceedings of the 2019 on Creativity and Cognition (C&amp;C \u201919).\u00a0Association for Computing Machinery, New York, NY, USA, 319\u2013332. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3325480.3326570\">https:\/\/doi.org\/10.1145\/3325480.3326570<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>William Odom, Ishac Bertran, Garnet Hertz, Henry\u00a0Lin, Amy Yo Sue Chen, Matt Harkness, and Ron Wakkary. 2019. Unpacking the\u00a0Thinking and Making Behind a Slow Technology Research Product with Slow Game.\u00a0In Proceedings of the 2019 on Creativity and Cognition (C&amp;C \u201919).\u00a0Association for Computing Machinery, New York, NY, USA, 15\u201328. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3325480.3326567\">https:\/\/doi.org\/10.1145\/3325480.3326567<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Gabriela S\u00e1,\u00a0Cristina Sylla, V\u00edtor Martins, Ana Caruso, and Douglas\u00a0Menegazzi. 2019. Multiculturalism and Creativity in Storytelling &#8211; Visual\u00a0Development of a Digital Manipulative for Young Children. In Proceedings of the\u00a02019 on Creativity and Cognition (C&amp;C \u201919). Association for Computing\u00a0Machinery, New York, NY, USA, 369\u2013381. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3325480.3326571\">https:\/\/doi.org\/10.1145\/3325480.3326571<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Cl\u00e1udia Silva, Catia Prandi, Marta Ferreira, Valentina Nisi, and Nuno Jardim Nunes. 2019. Towards Locative Systems for, and by, Children: A Cognitive Map Study of Children\u2019s Perceptions and Design Suggestions. In Proceedings of the 2019 on Creativity and Cognition (C&amp;C \u201919). Association for Computing Machinery, New York, NY, USA, 382\u2013395. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3325480.3326568\">https:\/\/doi.org\/10.1145\/3325480.3326568<\/a>\u00a0 [2019 Best Pictorial Award].<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><strong>Pictorials that have won Awards at any ACM venue (through 2019)<\/strong><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Eli Blevis. 2014.\u00a0Stillness and motion, meaning and form. In Proceedings of the 2014 conference\u00a0on Designing interactive systems (DIS \u201814). ACM, New York, NY, USA, 493-502.\u00a0DOI: <a href=\"https:\/\/doi.org\/10.1145\/2598510.2602963\">https:\/\/doi.org\/10.1145\/2598510.2602963<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Audrey Desjardins, Ron\u00a0Wakkary, and William Odom. 2016. Behind the Lens: A Visual Exploration of\u00a0Epistemological Commitments in HCI Research on the Home. In Proceedings of the\u00a02016 ACM Conference on Designing Interactive Systems (DIS \u201816). ACM, New York,\u00a0NY, USA, 360-376. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2901790.2901910\">https:\/\/doi.org\/10.1145\/2901790.2901910<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Elvin\u00a0Karana, Elisa Giaccardi, Niels Stamhuis, and Jasper Goossensen. 2016. The\u00a0Tuning of Materials: A Designer\u2019s\u00a0Journey. In Proceedings of the 2016 ACM Conference on Designing Interactive\u00a0Systems (DIS \u201816). ACM, New York, NY, USA, 619-631. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2901790.2901909\">https:\/\/doi.org\/10.1145\/2901790.2901909<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Heather McKinnon. 2016.\u00a0Finding Design Value in Modern Mundanity. In Proceedings of the 2016 ACM\u00a0Conference on Designing Interactive Systems (DIS \u201816). ACM, New York, NY, USA,\u00a01059-1071. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2901790.2901906\">https:\/\/doi.org\/10.1145\/2901790.2901906<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Thomas Dykes, Jayne\u00a0Wallace, Mark Blythe, and James Thomas. 2016. Paper Street View: A Guided Tour\u00a0of Design and Making Using Comics. In Proceedings of the 2016 ACM Conference on\u00a0Designing Interactive Systems (DIS \u201816). ACM, New York, NY, USA, 334-346. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2901790.2901904\">https:\/\/doi.org\/10.1145\/2901790.2901904<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Pauline\u00a0Gourlet and Thierry Dass\u00e9. 2017.\u00a0Cairn: A Tangible Apparatus for Situated Data Collection, Visualization and\u00a0Analysis. In Proceedings of the 2017 Conference on Designing Interactive\u00a0Systems (DIS \u201817). ACM, New York, NY, USA, 247-258. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3064663.3064794\">https:\/\/doi.org\/10.1145\/3064663.3064794<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>James Pierce and Carl\u00a0DiSalvo. 2017. Dark Clouds, Io&amp;#!+, and [Crystal Ball Emoji]: Projecting\u00a0Network Anxieties with Alternative Design Metaphors. In Proceedings of the 2017\u00a0Conference on Designing Interactive Systems (DIS \u201817). ACM, New York, NY, USA,\u00a01383-1393. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3064663.3064795\">https:\/\/doi.org\/10.1145\/3064663.3064795<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Sabrina Hauser, Doenja\u00a0Oogjes, Ron Wakkary, and Peter-Paul Verbeek. 2018. An Annotated Portfolio on\u00a0Doing Postphenomenology Through Research Products. In <em>Proceedings of the 2018 Designing\u00a0Interactive Systems Conference\u00a0<\/em>(DIS &#8217;18). ACM, New York, NY, USA, 459-471. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3196709.3196745\">https:\/\/doi.org\/10.1145\/3196709.3196745<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Cl\u00e1udia Silva, Catia\u00a0Prandi, Marta Ferreira, Valentina Nisi, and Nuno Jardim Nunes. 2019. Towards\u00a0Locative Systems for, and by, Children: A Cognitive Map Study of Children\u2019s\u00a0Perceptions and Design Suggestions. In Proceedings of the 2019 on Creativity\u00a0and Cognition (C&amp;C \u201919). Association for Computing Machinery, New York, NY,\u00a0USA, 382\u2013395. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3325480.3326568\">https:\/\/doi.org\/10.1145\/3325480.3326568<\/a>\u00a0<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Clement Zheng, HyunJoo\u00a0Oh, Laura Devendorf, and Ellen Yi-Luen Do. 2019. Sensing Kirigami. In <em>Proceedings of the 2019 on Designing\u00a0Interactive Systems Conference\u00a0<\/em>(<em>DIS <\/em><em>\u201919<\/em>). Association for Computing Machinery, New York, NY,\u00a0USA, 921\u2013934. DOI: https:\/\/doi.org\/10.1145\/3322276.3323689<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Cl\u00e1udia Silva, Catia\u00a0Prandi, Marta Ferreira, Valentina Nisi, and Nuno Jardim Nunes. 2019. See theWorld Through the Eyes of a Child: Learning from children\u2019s cognitive maps for\u00a0the design of child-targeted locative systems. In <em>Proceedings of the 2019 on Designing Interactive\u00a0Systems Conference<\/em> (<em>DIS <\/em><em>\u201919<\/em>). Association for Computing Machinery, New York, NY,\u00a0USA, 763\u2013776. DOI: https:\/\/doi.org\/10.1145\/3322276.3323700<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Sarah Homewood, Harvey\u00a0Bewley, and Laurens Boer. 2019. Ovum: Designing for Fertility Tracking as a\u00a0Shared and Domestic Experience. In <em>Proceedings of the 2019 on Designing Interactive Systems Conference<\/em> (<em>DIS <\/em><em>\u201919<\/em>).\u00a0Association for Computing Machinery, New York, NY, USA, 553\u2013565. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3322276.3323692\">https:\/\/doi.org\/10.1145\/3322276.3323692<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Vasiliki Tsaknaki, Madeline Balaam, Anna St\u00e5hl, Pedro Sanches, Charles Windlin, Pavel Karpashevich, and Kristina H\u00f6\u00f6k. 2019. Teaching Soma Design. In <em>Proceedings of the 2019 on Designing Interactive Systems Conference<\/em> (<em>DIS \u201919<\/em>). Association for Computing Machinery, New York, NY, USA, 1237\u20131249. DOI: <a href=\"https:\/\/doi.org\/10.1145\/3322276.3322327\">https:\/\/doi.org\/10.1145\/3322276.3322327<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><strong>An Historical Note and Acknowledgements<\/strong><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>A pictorials track was first introduced at DIS\u00a02014. The first pictorial co-chairs were David Cameron, Nadine Jarvis, Sabrina\u00a0Hauser, and Will Odom. The track was made possible by the support of conference\u00a0chairs Steve Harrison and Ron Wakkary. Jarvis, Cameron, and Boucher (2012)<br \/>listed below is arguably the first pictorial. In the original call for\u00a0pictorials, the pictorial co-chairs list the following work as influencers:<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>John Bowers. 2012. The\u00a0logic of annotated portfolios: communicating the value of \u201cresearch through\u00a0design.\u201d In <em>Proceedings of\u00a0the Designing Interactive Systems Conference<\/em> (<em>DIS <\/em><em>\u201912<\/em>). Association for Computing Machinery, New\u00a0York, NY, USA, 68\u201377. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2317956.2317968\">https:\/\/doi.org\/10.1145\/2317956.2317968<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Eli Blevis, Elizabeth\u00a0Churchill, William Odom, James Pierce, David Roedl, and Ron Wakkary. 2012.\u00a0Visual thinking &amp; digital imagery. In <em>CHI <\/em><em>\u201912 Extended Abstracts on Human Factors in\u00a0Computing Systems<\/em> (<em>CHI EA <\/em><em>\u201912<\/em>). Association for Computing Machinery, New York, NY,\u00a0USA, 2715\u20132718. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2212776.2212703\">https:\/\/doi.org\/10.1145\/2212776.2212703<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Eli Blevis. 2011.\u00a0Digital imagery as meaning and form in HCI and design: an introduction to the\u00a0Visual Thinking Backpage Gallery. <em>interactions<\/em> 18, 5 (September 2011), 60\u201365. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2008176.2008190\">https:\/\/doi.org\/10.1145\/2008176.2008190<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Bill Gaver and John Bowers. 2012. Annotated portfolios. <em>interactions<\/em> 19, 4 (July 2012), 40\u201349. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2212877.2212889\">https:\/\/doi.org\/10.1145\/2212877.2212889<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>William Gaver. 2011.\u00a0Making spaces: how design workbooks work. In <em>Proceedings of the SIGCHI Conference on Human Factors\u00a0in Computing Systems<\/em> (<em>CHI <\/em><em>\u201911<\/em>). Association for Computing Machinery, New York, NY,\u00a0USA, 1551\u20131560. DOI: <a href=\"https:\/\/doi.org\/10.1145\/1978942.1979169\">https:\/\/doi.org\/10.1145\/1978942.1979169<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Nadine Jarvis, David\u00a0Cameron, and Andy Boucher. 2012. Attention to detail: annotations of a design\u00a0process. In <em>Proceedings of\u00a0the 7th Nordic Conference on Human-Computer Interaction: Making Sense Through\u00a0Design<\/em> (<em>NordiCHI <\/em><em>\u201912<\/em>). Association for Computing Machinery, New York, NY,<br \/>USA, 11\u201320. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2399016.2399019\">https:\/\/doi.org\/10.1145\/2399016.2399019<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>The early history of pictorials is documented in:<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>Eli Blevis, Sabrina\u00a0Hauser, and William Odom. 2015. Sharing the hidden treasure in pictorials. <em>interactions<\/em> 22, 3 (April 2015), 32\u201343. DOI: <a href=\"https:\/\/doi.org\/10.1145\/2755534\">https:\/\/doi.org\/10.1145\/2755534<\/a><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>We thank others who have co-chaired the\u00a0pictorials track at creativity and cognition conferences, namely Lee Jung Joo\u00a0(2017), Will Odom (2017), and Joep Frens (2019), and conference chairs Brian\u00a0Bailey (2017), Steven Dow (2019), Andruid Kerne (2019), Celine Latulipe (2019),\u00a0Mary Lou Maher (2019), Neil Maiden (2021), Corina Sas (2021), David Shamma\u00a0(2017), and Jude Yew (2017).<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>We also wish to acknowledge the many\u00a0contributors to pictorials over years, now too numerous to list. For the\u00a0complete lists, please use the following links:<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:list --><\/p>\n<ul>\n<li><a href=\"https:\/\/dl.acm.org\/action\/doSearch?AllField=pictorial&amp;ConceptID=121273&amp;expand=all\">C&amp;C 2017, 2019<\/a><\/li>\n<li><a href=\"https:\/\/dl.acm.org\/action\/doSearch?AllField=pictorial&amp;startPage=&amp;SpecifiedLevelConceptID=119568\">DIS 2014 to 2019<\/a><\/li>\n<li><a href=\"https:\/\/dl.acm.org\/action\/doSearch?AllField=pictorial&amp;startPage=&amp;LimitedContentGroupKey=10.1145%2F3374920\">TEI 2020<\/a><\/li>\n<\/ul>\n<p><!-- \/wp:list --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<h3><strong>Publications Policy<\/strong><\/h3>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>As a published ACM author, you and your co-authors are subject to all ACM Publications Policies, including ACM&#8217;s new Publications Policy on Research Involving Human Participants and Subjects.<\/p>\n<p><!-- \/wp:paragraph --><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>2021 Call for Pictorials Conference Special Theme: Creativity, Craft and Design Pictorials Special Theme: Ways of Seeing and Ways of Knowing, Ways of Saying and Ways of Showing Important Dates Pictorials submission deadline: February \u00a08th, 2021, 11:59 PM Notifications: April 9th, 2021 Camera-ready completion deadline: April 26th, 2021, 11:59 PM Deadlines are specified as Anywhere&hellip;&nbsp;<a href=\"https:\/\/cc.acm.org\/2021\/pictorials\/\" class=\"\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Pictorials<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages\/80"}],"collection":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":80,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages\/80\/revisions"}],"predecessor-version":[{"id":2158,"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/pages\/80\/revisions\/2158"}],"wp:attachment":[{"href":"https:\/\/cc.acm.org\/2021\/wp-json\/wp\/v2\/media?parent=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}