{"id":3390,"date":"2022-03-13T14:30:21","date_gmt":"2022-03-13T14:30:21","guid":{"rendered":"https:\/\/cc.acm.org\/2022\/?page_id=3390"},"modified":"2022-05-17T00:34:00","modified_gmt":"2022-05-17T00:34:00","slug":"conference-program","status":"publish","type":"page","link":"https:\/\/cc.acm.org\/2022\/conference-program\/","title":{"rendered":"Accepted Submissions"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"3390\" class=\"elementor elementor-3390\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-5ff2fe22 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5ff2fe22\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6646c18e\" data-id=\"6646c18e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6919e46 elementor-widget elementor-widget-text-editor\" data-id=\"6919e46\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<h4>Presenters of Papers and Pictorials will have a presention slot of 10 minutes followed by 3 minutes for QA.<\/h4>\n<h4>Research<strong> Papers Published at C&amp;C22<\/strong><\/h4>\n<p>The following research papers have been unconditionally and conditionally accepted for presentation and publication at C&amp;C22:<\/p>\n<p>Creative and Motivational Strategies Used by Expert Creative Practitioners (<b>Best Paper Award<\/b>)<br \/>By Molly Jane Nicholas, Sarah Sterman and Eric Paulos<\/p>\n<p>MIDISpace: Finding linear directions in latent space for music generation (<b>Honourable Mention Award<\/b>)<br \/>By Meliksah Turker, Alara Dirik\u00a0and Pinar Yanardag<\/p>\n<p>Cracking the code &#8211; Co-coding with AI in creative programming education (<b>Honourable Mention Award<\/b>)<br \/>By Martin Jonsson\u00a0and Jakob Tholander<\/p>\n<p>Flow with the Beat! Human-Centered Design of Virtual User Environments for Musical Creativity Support in VR (<b>Honourable Mention Award<\/b>)<br \/>By Ruben Schlagowski, Fabian Wildgrube, Silvan Mertes, Ceenu George and Elisabeth Andr\u00e9<\/p>\n<p>Escape!Bot: Social Robots as Creative Problem-Solving Partners (<b>Honourable Mention Award<\/b>)<br \/>By Safinah Ali, Nisha Elizabeth Devasia and Cynthia Breazeal<\/p>\n<p>Exploring Bodily Heirlooms: Material Ways to Prolong Closeness Beyond Death (<b>Honourable Mention Award<\/b>)<br \/>By Janne Mascha Beuthel\u00a0and Verena Fuchsberger<\/p>\n<p>Goldwork Embroidery: Interviews with Practitioners on Working with Metallic Materials and Opportunities for E-textile Hybrid Crafts<br \/>By Lee Jones\u00a0and Sara Nabil<\/p>\n<p>Zooming in on the Effect of Sociometric Signals on Different Stages of the Design Process<br \/>By Steffi Kohl, Kay Schr\u00f6der, Mark Graus, Emir Efendic\u00a0 and Jos Lemmink<\/p>\n<p>Co-gnito: a Participatory Physicalization Game for Urban Mental Mapping Georgia<br \/>By Georgia Panagiotidou, Sinem G\u00f6r\u00fcc\u00fc, Eslam Nofal, M\u00fcge Akkar Ercan and Andrew Vande Moere<\/p>\n<p>Shedding Ageist Perceptions of Making: Collaborative Creativity in Older Adult Maker Communities<br \/>By India Anderson\u00a0and Dhaval Vyas<\/p>\n<p>Modding the Pliable Machine: Creative and Social Practice of Upkeep at the Makerspace<br \/>By Sophie Landwehr, Martin Jonsson and Jakob Tholander<\/p>\n<p>Curating Interactive Art for Online Conferences: Artist, Curator and Technologist Experiences in Gather.Town<br \/>By Celine Latulipe and Deborah J Turnbull<\/p>\n<p>How Researchers Manage Ideas<br \/>By Nanna Inie, Jonas Frich and Peter Dalsgaard<\/p>\n<p>Improving Subject Representation in AI Generated Art: Design Guidelines for Using Image Prompts with Text-to-Image Generative Models<br \/>By Han Qiao, Vivian Liu\u00a0and Lydia B Chilton<\/p>\n<p>Cognitive Strategy Prompts: Creativity Triggers for Human-centered AI Opportunity Detection<br \/>By Johannes Schleith, Milda Norkute, Mary Mikhail\u00a0and Daniella Tsar<\/p>\n<p>Identifying Cognitive and Creative Support Needs for Remote Scientific Collaboration using VR: Practices, Affordances, and Design Implications<br \/>By Monsurat Olaosebikan, Claudia Aranda Barrios, Blessing Kolawole, Lenore J Cowen and Orit Shaer<\/p>\n<p>Designing for Self-Awareness:Supporting Students&#8217; Reflective Interactions based on Photos<br \/>By Marije ten Brink, Tamara Witschge, Bert Bredeweg, Ben Schouten<\/p>\n<p>Explorations of Interactive Research Artifacts in Use: Applying Research<br \/>through Design to Understand Ways\u00a0Scholars Leverage Interactivity in<br \/>their Research Practices<br \/>By Amanda Nicole Curtis<\/p>\n<p>Readymades &amp; Repertoires: Artifact-Mediated Improvisation in Tabletop Role-Playing Games<br \/>By Philip Tchernavskij, Andrew M. Webb, Hayden Gemeinhardt and Wendy E. Mackay<\/p>\n<p>Watch Me Write: Exploring the Effects of Revealing Creative Writing Process through Writing Replay <br \/>By Dashiel Carrera\u00a0and Sang Won Lee<\/p>\n<p>Understanding User Perceptions, Collaborative Experience and User Engagement in Different Human-AI Interaction Designs for Co-Creative Systems<br \/>By Jeba Rezwana\u00a0and Mary Lou Maher<\/p>\n<p>Identifying Engagement in Children\u2019s Interaction whilst Composing Digital Music at Home<br \/>By Corey Ford\u00a0and Nick Bryan-Kinns<\/p>\n<p>Exploring Affordances through Design-after-Design: The Re-purposing of an Exhibition Artefact by Museum Visitors<br \/>By Petros Ioannidis\u00a0and Anders Sundnes L\u00f8vlie<\/p>\n<p>Sand Playground: Designing Human-AI physical Interface for Co-creation in Motion<br \/>By Dina EL-Zanfaly, Yiwei Huang\u00a0and Yanwen Dong<\/p>\n<p>Visualizing Isadora Duncan&#8217;s Movements Qualities<br \/>By Manon Vialle, Sarah Fdili Alaoui, Vennila Vilvanathan, Elisabeth Schwartz\u00a0and Remi Ronfard<\/p>\n<h4>Pictorials Published at C&amp;C\u201922<\/h4>\n<p>The following pictorials have been unconditionally and conditionally accepted for presentation and publication at C&amp;C22:<\/p>\n<p>Conversations with Myself: Sketching Workshop Experiences in Design Epistemology (<b>Best Pictorial Award<\/b>)<br \/>By Mafalda Gamboa\u00a0 <\/p>\n<p>Exploring Kolam as An Ecofeminist Computational Art Practice (<b>Honourable Mention Award<\/b>)<br \/>By Gopinaath Kannabiran and Anuradha Reddy\u00a0\u00a0\u00a0\u00a0\u00a0 <\/p>\n<p>Portraying What&#8217;s in Front of You: Virtual Tours and Online Whiteboards<br \/>to Facilitate Art Practice during the COVID-19 Pandemic (<b>Honourable Mention Award<\/b>)<br \/>By Makayla Lewis, Mauro Toselli, Ruth Baker, Julia R\u00e9dei and Claire Ohlenschlager\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/p>\n<p>Drawing Conversations Mediated by AI<br \/>By Paulina Yurman and Anuradha Reddy<\/p>\n<p>Do Humans Dream of Digital Devices? Subconscious User Experiences and Narratives<br \/>By Miriam Sturdee, Makayla Lewis and John Miers\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/p>\n<p>Tapis Magique: Large-scale Machine-knitted Pressure-sensitive Electronic Textile Carpet for Interactive Dance and Immersive Environments<br \/>By Irmandy Wicaksono, Don Derek Haddad and Joe Paradiso\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>Blue Ceramics: Co-designing Morphing Ceramics for Seagrass Meadow Restoration<br \/>By Rachel Ann Arredondo, Ofri Dar, Kylon Chiang, Arielle Blonder and Lining Yao<\/p>\n<p>Motion-Centric Tools to Reflect on Digital Creative Experiences and Created Outputs<br \/>By Yen-Ting Cho, Yen-Ling Kuo, Yen-Ting Yeh, Huai-Hsuan Liang and Yu-Ting Li\u00a0\u00a0<\/p>\n<p>Build Your Own Arcade Machine with Tinycade<br \/>By Peter Gyory, Perry Owens, Matthew Bethancourt, Amy Banic, Clement Zheng and Ellen Yi-Luen Do<\/p>\n<p>Movement Interaction with a Loudspeaker: an Index of Possibilities<br \/>By Georgios Marentakis\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>Visualizing Crocheting Overlay<br \/>By Sookyung Cho, Lillian Nguyen, Yinyin Wen, Yoshino Goto and Seungcheol Austin Lee\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>Objectifying the Gaze<br \/>Liat Lavi, Roy Amit and Sharon Israel<\/p>\n<h4>Research Papers Published at C&amp;C\u201921, Being Presented at C&amp;C\u201922<\/h4>\n<p>The following research papers were accepted to and published as part of the virtual C&amp;C\u201921 conference, and also being presented in person at the C&amp;C\u201922 conference:<\/p>\n<p>FabO: Integrating Fabrication with a Player&#8217;s Gameplay in Existing Digital Games<br \/>By Dishita G. Turakhia, Harrison Mitchell Allen, Kayla DesPortes and Stefanie Mueller<\/p>\n<p>Tangible Interaction for Children&#8217;s Creative Learning: A Review<br \/>By Meng Liang, Yanhong Li, Thomas Weber and Heinrich Hussmann<\/p>\n<p>SonAmi: A Tangible Creativity Support Tool for Productive Procrastination<br \/>By Jekaterina Belakova and Wendy E. Mackay<\/p>\n<p>Learning Embodied Sound-Motion Mappings: Evaluating AI-Generated Dance Improvisation<br \/>By Benedikte Wallace, Charles P. Martin, Jim T\u00f8rresen and Kristian Nymoen<\/p>\n<p>Conceptualising Sound-Driven Design: an Exploratory Discourse Analysis<br \/>By Stefano Delle Monache, Nicolas Misdariis and Elif Ozcan<\/p>\n<p>\u201cIt\u2019s Just a Graph\u201d \u2013 The Effect of Post-Hoc Rationalisation on InfoVis Evaluation<br \/>By Rosa van Koningsbruggen and Eva Hornecker<\/p>\n<p>Stories Incarnate: Embodied Interactive Storytelling for Live Performance<br \/>By Marisa Samek, Tudor Tibu, Richard Lachman and Ali Mazalek<\/p>\n<p>The Role of Collaboration, Creativity, and Embodiment in AI Learning Experiences<br \/>By Duri Long, Aadarsh Padiyath, Anthony Teachey and Brian Magerko<\/p>\n<h4>Pictorials Published at C&amp;C\u201921, Being Presented at C&amp;C\u201922<\/h4>\n<p>The following pictorials were accepted to and published as part of the virtual C&amp;C\u201921 conference, and also being presented in person at the C&amp;C\u201922 conference:<\/p>\n<p>Fluid Speculations: Drawing Artefacts in Watercolour as Experimentation in Research Through Design<br \/>By Paulina Yurman<\/p>\n<p>A Visual Exploration of Cyber Security Concepts<br \/>By Miriam Sturdee, Lauren Thornton, Bhagya Wimalasiri and Sameer Patil<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7775a337 elementor-widget elementor-widget-text-editor\" data-id=\"7775a337\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<!-- wp:themeisle-blocks\/advanced-columns {\"id\":\"wp-block-themeisle-blocks-advanced-columns-793af087\"} -->\n<div class=\"wp-block-themeisle-blocks-advanced-columns has-undefined-columns has-desktop-undefined-layout has-tablet-equal-layout has-mobile-equal-layout has-default-gap has-vertical-unset\" id=\"wp-block-themeisle-blocks-advanced-columns-793af087\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\"><\/div><\/div>\n<!-- \/wp:themeisle-blocks\/advanced-columns -->\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Presenters of Papers and Pictorials will have a presention slot of 10 minutes followed by 3 minutes for QA. Research Papers Published at C&amp;C22 The following research papers have been unconditionally and conditionally accepted for presentation and publication at C&amp;C22: Creative and Motivational Strategies Used by Expert Creative Practitioners (Best Paper Award)By Molly Jane Nicholas,&hellip;&nbsp;<a href=\"https:\/\/cc.acm.org\/2022\/conference-program\/\" class=\"\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Accepted Submissions<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":""},"_links":{"self":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages\/3390"}],"collection":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/comments?post=3390"}],"version-history":[{"count":68,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages\/3390\/revisions"}],"predecessor-version":[{"id":3801,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages\/3390\/revisions\/3801"}],"wp:attachment":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/media?parent=3390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}