{"id":3399,"date":"2022-03-13T14:34:07","date_gmt":"2022-03-13T14:34:07","guid":{"rendered":"https:\/\/cc.acm.org\/2022\/?page_id=3399"},"modified":"2022-05-28T15:54:27","modified_gmt":"2022-05-28T15:54:27","slug":"art-exhibition-2","status":"publish","type":"page","link":"https:\/\/cc.acm.org\/2022\/art-exhibition-2\/","title":{"rendered":"Art Exhibition"},"content":{"rendered":"\t\t
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C&C22\u2019s Art Exhibition will take place at the Sala Camino exhibition space of Istituzione Fondazione Bevilacqua la Masa in Venice Italy, from the 22nd<\/sup> to the 25th<\/sup> June 2022.<\/p>\n

The exhibition will be free and open to the public.<\/p>\n

Themes<\/strong><\/h2>\n

This year\u2019s exhibition explores ways in which citizens can participate in new cross-disciplinary forms of creative engagement with the major challenges that cities face. A profound act of imagination that is needed to envision viable alternatives to the status quo.<\/p>\n

Venice can become one of the model cities of the future. Despite being uniquely exposed to many of the challenges faced by modern cities, it also embodies a different way of thinking and being. A way that is directly opposed to the loss of sociality – a festering wound of the megalopolis.<\/p>\n

Venice has been a uniquely social city ever since its heyday in the Middle Ages and the Renaissance. Being traffic-free, Venice encourages its people to walk everywhere and experience the city by water. Distances are shorter, everything is closer, and the people friendlier. The city\u2019s labyrinth of narrow side streets (calli) and bridges offers opportunities to meet each other serendipitously, greet and talk.<\/p>\n

As a consequence, Venice offers almost unique forms of ordered and chaotic co-living, enabling and encouraging co-creation amidst its art, architecture, businesses and craftsmanship. Furthermore, due to its medieval infrastructure, the pace of life and work in Venice is slower, a quality that can foster more effective incubation, reflection and creation.<\/p>\n

This exhibition explores new forms of cross-discipline engagement with cities under threat from a multitude of challenges. It presents interactive artworks and conceptual experiments from art, computer science and design that provoke citizens and others to challenge and reflect on cities of the future, taking Venice as a possible model.<\/p>\n

The exhibition also encourages its visitors to direct their emotions, reflections, and ideas from the exhibits to forming and developing approaches to improving cities we live in and visit. To support this, facilitators will combine digital and analogue technologies to provoke both synchronous and asynchronous collaborations across a range of stakeholders.<\/p>\n

The Exhibits<\/strong><\/h2>\n

This year\u2019s exhibition will showcase 20 pieces submitted by artists from different continents. The artists and pieces are:<\/p>\n

Artworks Published at C&C 2022<\/h4>\n

Emergent. A Pandemic\/Postpandemic Gallery by\u00a0Roberta Buiani, Lorella Di Cintio and Ilze Briede [Kavi].\u00a0Part 1. Megachile Alienus.\u00a0An Installation by Cole Swanson.\u00a0Scientific collaboration: Laurence Packer.\u00a0Thanks to: Alessandro Marletta, Anna Lisa Manini<\/p>\n

POSTcard Landscapes from Lanzarote\u00a0by Varvara Guljajeva and Mar Canet Sola<\/p>\n

Fragile Perspectives: A Multi-Sensory and Multi-Media Installation Reflecting on New Landscapes by Antoni Rayzhekov, Claudia Schnugg, Neil Maiden and Konstantinos Zachos<\/p>\n

Looking at Future Venice(s) through Coffee Grounds\u00a0by Ahmet B\u00f6r\u00fctecene and Jonas L\u00f6wgren<\/p>\n

Water Mirror\u00a0by Jen Seevinck<\/p>\n

Seeds, Brains, and Bridges. Allegory of Venice, Arts, and Science for a Vision of the Future by Maria Mannone<\/p>\n

Archipelago\u00a0by Daniel Evans<\/p>\n

Digital-Tropical: Venice of the East\u00a0by Hanif Baharin, Afdallyna Fathiyah Harun, Mohd Shahrudin Abd Manan, Nasir Baharuddin, Muhammad Hafiz Bin Mastro, Nazrita Ibrahim, Puteri Nor Ellyza Nohuddin and Shureen Faris Abdul Shukor<\/p>\n

Sonic Coexistence\u00a0by Anders Eskildsen, Anca-Simona Horvath<\/p>\n

Pelican Stairs: A Wapping Great Pandemic Memoir by Caitlin E McDonald<\/p>\n

Lure of Slowness, Hydrological Rhythms by Elly s Vadseth and Boris Kourtoukov<\/p>\n

Artworks Published at C&C 2021, Being Presented at C&C 2022<\/h4>\n

Zones of flow (iii)\u00a0\u00a0by Rocio Von Jungenfeld<\/p>\n

Construction Lines\u00a0by Max Colson<\/p>\n

Ripple Effect\u00a0by Dorsey B. Kaufmann, Nima Hamidi, Nima Hamidi, and Monica D. Ramirez-Andreotta<\/p>\n

Iterative City\u00a0by Alex R.M. Thompson<\/p>\n

Recyclic\u00a0by Mez Breeze<\/p>\n

Millenia as Moment\u00a0by Mark Chu, Ruggiero Lo Sardo and Douglas Guilbeault<\/p>\n

Essential Voyage\u00a0by Hallie Morrison<\/p>\n

Shifting Datum\u00a0by Brendan Harmon, Hye Yeon Nam and Michael Pasquier<\/p>\n

Floating Utopia by Nikolay Ulyanov and Julia Vergazova<\/p>\n

Additional Artworks Being Presented at C&C 2022<\/h4>\n

Fire by Ernest Edmonds<\/p>\n

CREA Visions (TBC)<\/p>\n

Visiting the Exhibition<\/strong><\/h2>\n

The exhibition will take place from the 22nd<\/sup> to the 25th<\/sup> June 2022. It will be open daily. In addition, there will be a public opening of the exhibition on Wednesday 22nd<\/sup> June at 18.30.<\/p>\n

It will take place in the Sala Camino exhibition space of the Istituzione Fondazione Bevilacqua la Masa, Campo San Cosmo, 621, Giudecca, 30133 Venezia. The nearest ACTV vaporetto stop is Giudecca Palanca.<\/p>\n

Admission is free to everyone.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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C&C22\u2019s Art Exhibition will take place at the Sala Camino exhibition space of Istituzione Fondazione Bevilacqua la Masa in Venice Italy, from the 22nd to the 25th June 2022. The exhibition will be free and open to the public. Themes This year\u2019s exhibition explores ways in which citizens can participate in new cross-disciplinary forms of… Read More »Art Exhibition<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":""},"_links":{"self":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages\/3399"}],"collection":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/comments?post=3399"}],"version-history":[{"count":16,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages\/3399\/revisions"}],"predecessor-version":[{"id":3967,"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/pages\/3399\/revisions\/3967"}],"wp:attachment":[{"href":"https:\/\/cc.acm.org\/2022\/wp-json\/wp\/v2\/media?parent=3399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}