{"id":101,"date":"2021-10-13T00:24:00","date_gmt":"2021-10-13T00:24:00","guid":{"rendered":"https:\/\/cc.acm.org\/2021\/?page_id=101"},"modified":"2024-04-03T05:10:21","modified_gmt":"2024-04-03T05:10:21","slug":"artworks","status":"publish","type":"page","link":"https:\/\/cc.acm.org\/2024\/artworks\/","title":{"rendered":"Artworks"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"101\" class=\"elementor elementor-101\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d4899a4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d4899a4\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-399b7c6e\" data-id=\"399b7c6e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e713d00 elementor-widget elementor-widget-heading\" data-id=\"e713d00\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">2024 Call for Artworks<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-27dac434 elementor-widget elementor-widget-text-editor\" data-id=\"27dac434\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<h3><b>&nbsp;<\/b><\/h3>\n<h3><b>Theme:<\/b> <i><span style=\"font-weight: 400;\">Organic Creative Spaces<\/span><\/i><\/h3>\n<p><span style=\"font-weight: 400;\">The art exhibition calls for artists working with the notion of <\/span><i><span style=\"font-weight: 400;\">organic creative spaces<\/span><\/i><span style=\"font-weight: 400;\"> as inspired by Frank Lloyd Wright\u2019s <\/span><b>Organic Architecture<\/b><span style=\"font-weight: 400;\">. Defined as both a philosophy and a practice in the architecture discipline, organic architecture uses minimalist forms, materials, spaces and design considerations that blend with their natural environments. These may vary from the digital sphere (such as the Gather.town virtual environment used for the 2023 conference) to a physical one (the gallery space to be used for the 2024 conference), but both platforms encourage the re-invention, re-interpretation, and re-situating of materials to span our most occupied creative spaces and the way they are realized in community and collective practice.<\/span><\/p>\n<h3><\/h3>\n<h3><b>Important Dates<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Title and Abstract deadline: <strong><s>January 22, 2024<\/s><\/strong> <strong>January 29, 2024&nbsp;<\/strong>11:59 p.m.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Full paper submission deadline: <strong><s>January 29, 2024<\/s><\/strong>&nbsp;<strong>February 5, 2024&nbsp;<\/strong>11:59 p.m.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Notifications: <strong><s>April 1, 2024<\/s><\/strong> <strong>April 8, 2024<\/strong> 11:59 p.m.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Camera-Ready completion deadline: <strong>April 22, 2024<\/strong> 11:59 p.m.&nbsp;<\/span><\/p>\n<p>Deadlines are specified as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Anywhere_on_Earth\" target=\"_blank\" rel=\"noreferrer noopener\">Anywhere on Earth<\/a> time.<\/p>\n<h3><\/h3>\n<h3><b>Venue<\/b><\/h3>\n<p><a href=\"https:\/\/www.bridgeportart.com\/venues\/sculpture-garden\/\"><span style=\"font-weight: 400;\">The Bridgeport Art Center<\/span><\/a><span style=\"font-weight: 400;\"> in Chicago, IL, USA.<\/span><\/p>\n<h3><\/h3>\n<h3><b>Chairs<\/b><\/h3>\n<ul>\n<li><span style=\"font-weight: 400;\">Deborah Turnbull Tillman, The University of New South Wales (UNSW), Sydney, Australia<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Hallie Sanclemente Morrison, Freelance Producer, Artist, Researcher, Chicago, IL, USA.<\/span><\/li>\n<\/ul>\n<p><b>Contact:<\/b> <a href=\"mailto:art2024@cc.acm.org\"><span style=\"font-weight: 400;\">art2024@cc.acm.org<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<h3><\/h3>\n<h3><b>Call Description<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">With architecture spanning physical and digital platforms and incorporating technologies such as CAD software, 3D-printing and rapid prototyping, creative robotics, engineering, materials and site specificity; the consideration of Frank Lloyd Wright\u2019s <\/span><b>Organic Architecture<\/b><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">creative organic spaces<\/span><\/i><span style=\"font-weight: 400;\"> allows us to rethink how we might incorporate natural settings more intuitively with the spaces\/sites we design in and for.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With creative practice spanning all of the above disciplines, the Art Chairs for C&amp;C 2024 call for artworks that re-contextualise notions of immersion, the use of materials, types of software generation, fashion waste management and human engagement that is more harmonious with the worlds we create. Can we creatively assess and design spaces for global problems such as climate change, human rights, the fair delegation of the planet\u2019s resources, and balance that with a quest for peace, calm and sense of the centered self amidst our communities? If so, what does this look like? What is the collective experience of these ideals?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The C&amp;C \u201824 Arts Exhibition will explore ways in which artists, architects, designers, philosophers and futurists can collaborate to engage audiences across platforms in a deep dive of materiality and themes relating to the natural surroundings of the spaces we create for ourselves.&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The online exhibition in 2023 explored a variety of digital artworks in the Gather.town platform. Exhibited works included AR\/VR worlds, interactive, digital and sonic artworks and 3D sculptures in a layered multi-platform environment. The physical exhibition in 2024 will be held at <\/span><a href=\"https:\/\/www.bridgeportart.com\/exhibitions\/\"><span style=\"font-weight: 400;\">The Bridgeport Art Centre\u2019s Sculpture Garden<\/span><\/a><span style=\"font-weight: 400;\">. This thriving artist\u2019s residency and exhibition space can showcase similar themes and ideas in the form of physical objects such as installations, virtual and\/or augmented realities, experimental cinematic shorts, performances and\/or works that are suited to the exhibition venue. Interactivity and materiality will remain a central concern, and any craftsmanship (coding, modeling, 3D-printing, etc) should be articulated. You should also indicate in your application the environmental needs of your work, i.e. does it require power or wired \/ wifi internet, does it need to be in the dark, or spot-lit, does it require listening to or does it make sound, can it be outdoors, does it have a time duration, it runs once, it loops, etc. When thinking of what you might submit, please consider:&nbsp; How do each of the elements of my work creatively engage and extend the spaces they take place in? What do the new spaces look like? How might we engage the spaces between the nexus of physical and digital worlds?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Arts Exhibition will engage visitors in various ways and exhibiting artists will have a chance to receive feedback from a knowledgeable group of peers on their works. Audiences for the physical gallery space will likely be conference attendees, university staff and students, and invited guests. As is fitting with the theme of creative organic spaces, the works should respond to and blend in with their respective environments, be it digital or physical.&nbsp;<\/span><\/p>\n<h3><\/h3>\n<h3><b>Format and Submission Details<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">We are accepting two forms of submissions:&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">1) submissions of existing works; and,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">2) proposals for doing work with the infrastructure available at the venue. More information to follow.<\/span><\/p>\n<p><strong><i>Existing works:&nbsp;<\/i><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Submit a document of up to 2000 words, excluding titles, references and figure\/table captions which includes:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Links to a visual portfolio of the artwork<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Images and video for time-based work<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Narrative description of the piece, specifying both its conceptual goals and its functional operations<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">All technical and logistical requirements of the piece, including: equipment needed, whether you are providing that equipment, space requirements, any special auditory, lighting or other physical need, time needed for set-up, and whether the piece needs to be staffed during the exhibition. Please indicate if there are any safety implications (e.g., soldering) that may need health and safety compliance<\/span><\/li>\n<\/ul>\n<p><strong><i>Proposed works:<\/i>&nbsp;<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Submit a document of up to 2000 words, excluding titles, references and figure\/table captions which includes:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A proposed description of current state of the project<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Any existing documentation of the work in other forms<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">A proposed development path<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">For either form of submission, we require a PDF document<\/span><span style=\"font-weight: 400;\"> prepared using the <\/span><a href=\"https:\/\/authors.acm.org\/proceedings\/production-information\"><span style=\"font-weight: 400;\">ACM submission template<\/span><\/a><span style=\"font-weight: 400;\"> (Latex and Word templates are available) in single-column format. <\/span><span style=\"font-weight: 400;\">Accepted submissions will be part of the curated proceedings for this exhibition.<\/span><\/p>\n<h3><\/h3>\n<h3><b>Seeking Help<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">It is important that your submission is formatted correctly. Incorrectly formatted submissions might be rejected. Online guidance is available from the ACM at: <\/span><a href=\"https:\/\/www.acm.org\/publications\/authors\/submissions\"><span style=\"font-weight: 400;\">https:\/\/www.acm.org\/publications\/authors\/submissions<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Examples of three formatted artwork submissions chosen at random from the C&amp;C 2022 conference (<\/span><a href=\"https:\/\/drive.google.com\/file\/d\/1qELOYxFC6RRpCvMzfG5cD-fmxQ33lwCd\/view?usp=sharing\"><span style=\"font-weight: 400;\">example 1<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/drive.google.com\/file\/d\/1wB-Mx7Abvv5IUSesd5DexOQzt8zRcV2c\/view?usp=sharing\"><span style=\"font-weight: 400;\">example 2<\/span><\/a><span style=\"font-weight: 400;\">, and <\/span><a href=\"https:\/\/drive.google.com\/file\/d\/1VlPoKBfJ2qB_ekV7dPLUetjGfXaSw9Zg\/view?usp=sharing\"><span style=\"font-weight: 400;\">example 3<\/span><\/a><span style=\"font-weight: 400;\">) and the entire <\/span><a href=\"https:\/\/dl.acm.org\/doi\/proceedings\/10.1145\/3527927\"><span style=\"font-weight: 400;\">online C&amp;C 2022 proceedings<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<h3><\/h3>\n<h3><b>Curatorial Advisory Committee<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Professor Sarah Cook, Glasgow University<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Professor Janis Jefferies, Goldsmiths, University of London<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Benjamin Weil, Director of Centro de Arte Moderna, Calouste, Gulbenkian Foundation<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Luba Elliott, Freelance curator, Producer, and Researcher<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Professor Yasuaki Kakehi, University of Tokyo<\/span><\/p>\n<h3><\/h3>\n<h3><b>Where to Submit<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Please submit via the Precision Conference (PCS) website below:<\/span><\/p>\n<p><a href=\"https:\/\/new.precisionconference.com\/submissions\"><span style=\"font-weight: 400;\">https:\/\/new.precisionconference.com\/submissions<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Once you have logged into the PCS website, select the following options under \u201cSubmissions\u201d and click the Go button.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Society:<\/span><span style=\"font-weight: 400;\"> SIGCHI<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Conference\/Journal:<\/span><span style=\"font-weight: 400;\"> Creativity &amp; Cognition 2024<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Track:<\/span><span style=\"font-weight: 400;\"> Creativity &amp; Cognition 2024 Artworks<\/span><\/p>\n<h3><\/h3>\n<h3><b>Publications Policy<\/b><\/h3>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">By submitting your article to an ACM Publication, you are hereby acknowledging that you and your co-authors are subject to all ACM Publications Policies, including ACM&#8217;s new Publications Policy on Research Involving Human Participants and Subjects. Alleged violations of this policy or any ACM Publications Policy will be investigated by ACM and may result in a full retraction of your paper, in addition to other potential penalties, as per ACM Publications Policy. <\/span><a href=\"https:\/\/www.acm.org\/publications\/policies\/research-involving-human-participants-and-subjects\"><span style=\"font-weight: 400;\">https:\/\/www.acm.org\/publications\/policies\/research-involving-human-participants-and-subjects<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Please ensure that you and your co-authors obtain an <\/span><a href=\"https:\/\/orcid.org\/\"><span style=\"font-weight: 400;\">ORCID ID<\/span><\/a><span style=\"font-weight: 400;\">, so you can complete the publishing process for your accepted paper. ACM has been involved in ORCID from the start and we have recently made a commitment to collect ORCID IDs from all of our published authors. The collection process has started and will roll out as a requirement throughout 2022. We are committed to improve author discoverability, ensure proper attribution and contribute to ongoing community efforts around name normalization; your ORCID ID will help in these efforts.<\/span><\/li>\n<\/ul>\n<h3><\/h3>\n<h3><b>Questions<\/b><\/h3>\n<p><a href=\"mailto:art2024@cc.acm.org\"><span style=\"font-weight: 400;\">art2024@cc.acm.org<\/span><\/a><span style=\"font-weight: 400;\">&nbsp;<\/span><\/p>\n<h3><\/h3>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>2024 Call for Artworks &nbsp; Theme: Organic Creative Spaces The art exhibition calls for artists working with the notion of organic creative spaces as inspired by Frank Lloyd Wright\u2019s Organic Architecture. Defined as both a philosophy and a practice in the architecture discipline, organic architecture uses minimalist forms, materials, spaces and design considerations that blend&hellip;&nbsp;<a href=\"https:\/\/cc.acm.org\/2024\/artworks\/\" class=\"\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Artworks<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages\/101"}],"collection":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/comments?post=101"}],"version-history":[{"count":119,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages\/101\/revisions"}],"predecessor-version":[{"id":5745,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages\/101\/revisions\/5745"}],"wp:attachment":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/media?parent=101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}