{"id":1497,"date":"2021-07-30T15:08:19","date_gmt":"2021-07-30T15:08:19","guid":{"rendered":"https:\/\/cc.acm.org\/2022\/?page_id=1497"},"modified":"2023-12-17T18:26:29","modified_gmt":"2023-12-17T18:26:29","slug":"papers","status":"publish","type":"page","link":"https:\/\/cc.acm.org\/2024\/papers\/","title":{"rendered":"Papers"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"1497\" class=\"elementor elementor-1497\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7e89d3a3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7e89d3a3\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4b9c4784\" data-id=\"4b9c4784\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b811a33 elementor-widget elementor-widget-heading\" data-id=\"b811a33\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">2024 Call for Papers<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-55a0ee17 elementor-widget elementor-widget-text-editor\" data-id=\"55a0ee17\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p><!-- wp:group --><\/p>\n<p><!-- wp:heading {\"style\":{\"color\":{\"text\":\"#782121\"}}} --><\/p>\n<h3 style=\"text-align: left;\"><b>Important Dates<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Title and Abstract deadline: <strong>January 22, 2024 <\/strong><\/span><span style=\"font-weight: 400;\"><strong>11:59 p.m<\/strong>.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Paper Submission deadline: <strong>January 29, 2024 <\/strong><\/span><span style=\"font-weight: 400;\"><strong>11:59 p.m<\/strong>.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Notifications: <strong>April 1, 2024 <\/strong><\/span><span style=\"font-weight: 400;\"><strong>11:59 p.m<\/strong>.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Camera-Ready Completion Deadline: <strong>April 22, 2024 <\/strong><\/span><strong>11:59 p.m. <\/strong><\/p>\n<p style=\"text-align: left;\">Deadlines are specified as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Anywhere_on_Earth\" target=\"_blank\" rel=\"noreferrer noopener\">Anywhere on Earth<\/a> time.<\/p>\n<h3>\u00a0<\/h3>\n<h3 style=\"text-align: left;\"><b>Papers Chairs<\/b><\/h3>\n<ul style=\"text-align: left;\">\n<li>\n<p><span style=\"font-weight: 400;\">Duri Long, Northwestern University<\/span><\/p>\n<\/li>\n<li>\n<p><span style=\"font-weight: 400;\">Joel Chan, University of Maryland<\/span><\/p>\n<\/li>\n<\/ul>\n<p>Contact: <a href=\"mailto:papers2024@cc.acm.org\">papers2024@cc.acm.org<\/a><\/p>\n<p style=\"text-align: left;\"><!-- \/wp:list --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph --><\/p>\n<h3>\u00a0<\/h3>\n<h3 style=\"text-align: left;\"><b>Program Committee<\/b><\/h3>\n<ul style=\"text-align: left;\">\n<li><p><span style=\"font-weight: 400;\">\nLuca Turchet, University of Trento, Italy\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nKristin Carlson, Illinois State University, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nAditya Bharadwaj, B12.io, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nKatia Vega, UC Davis, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nDanielle Lottridge, University of Auckland, New Zealand\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nSalvatore Andolina, Politecnico di Milano, Italy\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nSally Jo Cunningham, University of Waikato, New Zealand\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nLee Jones, Queen&#8217;s University, Canada\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nAugusto Esteves, University of Lisbon, Portugal\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nCheryl Zhenyu Qian, Purdue University, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nLaura Perovich, Northeastern University, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nMichael Biskjaer, Aarhus University, Denmark\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nNick Bryan-Kinns, University of the Arts London, United Kingdom\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nJanet Yi-Ching Huang, Eindhoven University of Technology, Netherlands\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nNuno Otero, University of Greenwich, United Kingdom\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nMin Hae Song, Seoul National University, Korea\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nBoriana Koleva, University of Nottingham, United Kingdom\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nJanet Rafner, Aarhus University, Denmark\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nJean Song, DGIST (Daegu Gyeongbuk Institute of Science and Technology), Korea\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nJanin Koch, Inria Paris-Saclay, France\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nDaragh Byrne, Carnegie Mellon University, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nKonstantinos Zachos, City, University of London, United Kingdom\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nHye Yeon Nam, Louisiana State University, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nPeter Kun, IT University of Copenhagen, Denmark\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nMary Lou Maher, University of North Carolina at Charlotte, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nJulia von Thienen, Hasso Plattner Institute for Digital Engineering, Germany\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nAli Mazalek, Toronto Metropolitan University, Canada\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nDishita Turakhia, Massachusetts Institute of Technology, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nZijian Ding, University of Maryland, United States\n<\/span><\/p><\/li>\n<li><p><span style=\"font-weight: 400;\">\nKazjon Grace, University of Sydney, Australia\n<\/span><\/p><\/li>\n<\/ul>\n<p style=\"text-align: left;\"><!-- \/wp:list --><\/p>\n<p style=\"text-align: left;\"><!-- wp:paragraph --><\/p>\n<h3>\u00a0<\/h3>\n<h3 style=\"text-align: left;\"><b>Call Description<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">We are pleased to invite submissions for papers to the ACM<\/span> <span style=\"font-weight: 400;\">Creativity and Cognition 2024 conference. <\/span><span style=\"font-weight: 400;\">We encourage submissions that contribute with knowledge on various forms of creativity with topics ranging from designing or evaluating <\/span><span style=\"font-weight: 400;\">creativity-support environments and technologies to studying or reflecting on the experiences, practices, and cognitive processes in art, craft and design. The call is aligned with this year\u2019s conference theme : \u201cOrganic, Creative Spaces.\u201d This theme<\/span><span style=\"font-weight: 400;\"> is inspired by the organic architecture of Frank Lloyd Wright. Wright used the term \u201corganic architecture,\u201d to refer to artificial forms that seemed to emerge on their own accord from the natural space that surrounds them. The broad horizontal lines and cutting-edge materials of Wright&#8217;s organic architecture were inspired, respectively, by the wide prairies of the American Midwest and the cityscape of his studio in Oak Park. Amidst these same surroundings, Creativity &amp; Cognition is proud to hold its 2024 conference in Chicago, Illinois, and we take inspiration from Wright\u2019s organic spaces for the 2024 conference.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The theme highlights how cognitive and computational aspects of creativity and experience can learn from and at the same time beneficially impact the environment, nature as well as communities and cultures. Thus, we encourage submissions that leverage creative practices inspired by organic forms or in relationship with nature and issues around sustainability and de-centering design beyond humans. We also encourage submissions exploring new design approaches such as first-person or visual methods as well as qualitative and quantitative methodologies that provide insight into aspects of creative cognition such as inspiration from the environment or social creativity<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Creativity and Cognition 2024 will be an in-person conference. Accepted submissions will be expected to have at least one author register, attend, and present the work at the conference in June 2024.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Accepted full and short papers will be included in the Proceedings of Creativity and Cognition 2024, and will be made available in the ACM Digital Library.<\/span><\/p>\n<h3>\u00a0<\/h3>\n<h3><b>Topics<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">We welcome high-quality submissions on a range of topics including, but not limited to:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Creativity support environments and computing technologies designed to foster, promote, improve, and increase creative practices, experiences, processes, products, and services, including but not limited to gaming technologies, virtual and mixed reality technologies<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Capturing, representing, and analyzing creative processes and cognition<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Theoretical reflection on creativity and cognition<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Investigations of curation practices, platforms, and environments, in contexts from everyday to scholarly to museums<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Research on collaboration, crowdsourcing and micro-task activities in creative contexts<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">New methodologies and theories for evaluating the impact of computing on creativity and cognition, or designing technologies for creative contexts, including first-person methods or longitudinal studies among others.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Studies assessing creativity in diverse contexts such as work with underserved communities and cross-cultural contexts<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Studies of creativity applications applied to different domains such as learning, work, wellbeing, health, entertainment and Arts.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Explorations of organic creativity, or creativity emerging from or inspired by nature, such as bio-inspired\/biological computing and design, or creative and computational artifacts incorporating or inspired by natural\/organic materials, systems, and forms<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Research on the spaces wherein humans and computers create<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Creative approaches to sustainable computing and design<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Indigenous perspectives on organic creative spaces<\/span><\/li>\n<\/ul>\n<h3>\u00a0<\/h3>\n<h3>\u00a0<\/h3>\n<h3 style=\"text-align: left;\">Format and Submission Details<\/h3>\n<p><span style=\"font-weight: 400;\">Papers should be prepared using the <\/span><a href=\"https:\/\/authors.acm.org\/proceedings\/production-information\"><span style=\"font-weight: 400;\">ACM submission template<\/span><\/a><span style=\"font-weight: 400;\"> (Latex and Word templates are available) in single-column format. Papers must be submitted in PDF. They should be up to 8000 words in length, excluding titles, references and figure\/table captions. We encourage authors to submit papers of length proportional to their contributions. Papers, where the length is incommensurate with contributions, will be desk rejected<\/span><b>.<\/b><span style=\"font-weight: 400;\">\u00a0<\/span><a href=\"https:\/\/dl.acm.org\/action\/doSearch?AllField=best+papers&amp;expand=all&amp;ConceptID=121273&amp;startPage=&amp;ConceptID=2187\"><br \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Video figures may accompany a paper submission for the purpose of review. They are strongly encouraged but not required. Video figures are<\/span><span style=\"font-weight: 400;\"> supplementary material and should illustrate the key aspects of the paper you submitted. They usually last up to three minutes. Video figures of accepted submissions are archived in the ACM Digital Library as part of their associated publication.<\/span><span style=\"font-weight: 400;\"> Video figures must include closed captions. The <\/span><a href=\"https:\/\/chi2024.acm.org\/submission-guides\/guide-to-an-accessible-video-submission\/\"><span style=\"font-weight: 400;\">CHI<\/span><\/a><span style=\"font-weight: 400;\"> guidelines can assist in producing high quality and accessible video figures.<\/span><a href=\"https:\/\/dl.acm.org\/action\/doSearch?AllField=best+papers&amp;expand=all&amp;ConceptID=121273&amp;startPage=&amp;ConceptID=2187\"><br \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">The total size of all submitted materials, including a video figure, should not exceed 100 MB.<\/span><\/p>\n<h3>\u00a0<\/h3>\n<h3 style=\"text-align: left;\"><b>Anonymization Policy<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">All papers must be anonymized for review. Papers that violate the anonymization policy, including within the supplemental materials or external links to datasets, code repositories, etc., will be desk rejected.<\/span> <span style=\"font-weight: 400;\">Author and affiliation sections and credits in the submission template must be left blank. Authors of accepted submissions will add this information in preparation of the \u201ccamera-ready\u201d version. We are using the <\/span><a href=\"https:\/\/chi2024.acm.org\/submission-guides\/chi-anonymization-policy\/\"><span style=\"font-weight: 400;\">ACM CHI Anonymization Policy<\/span><\/a><span style=\"font-weight: 400;\"> of blind reviewing. We use a relaxed model that does not attempt to conceal all traces of identity from the body of the paper.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Authors are expected to remove author and institutional identities from the title and header areas of the paper, as noted in the submission instructions (Note: changing the text color of the author information is not sufficient). Make sure that no description that can easily reveal authors\u2019 names and\/or affiliations is included in the submission (e.g., too detailed descriptions of where user studies were conducted). Authors should also remove any information in the acknowledgements section that reveals authors or the institution (e.g., specific supporting grant information). Also, please make sure that identifying information does not appear in the document\u2019s meta-data (e.g., the \u2018Authors\u2019 field in your word processor\u2019s \u2018Save As\u2019 dialog box). In addition, we require that the acknowledgments section be left blank as it could also easily identify the authors and\/or their institution.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Further suppression of identity in the body of the paper is left to the authors\u2019 discretion. We do expect that authors leave citations to their previous work unanonymized so that reviewers can ensure that all previous research has been taken into account by the authors. However, authors are required to cite their own work in the third person, e.g., avoid \u201cAs described in our previous work [10], \u2026 \u201d and use instead \u201cAs described by Jones et al. [10], \u2026\u201d<\/span><\/p>\n<h3>\u00a0<\/h3>\n<h3 style=\"text-align: left;\"><b>Publications Policy<\/b><\/h3>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">By submitting your article to an ACM Publication, you are hereby acknowledging that you and your co-authors are subject to all ACM Publications Policies, including ACM&#8217;s guidance on <\/span><a href=\"https:\/\/www.acm.org\/publications\/policies\/simultaneous-submissions\"><span style=\"font-weight: 400;\">Prior Publication and Simultaneous Submissions<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/www.acm.org\/publications\/policies\/research-involving-human-participants-and-subjects\"><span style=\"font-weight: 400;\">Publications Policy on Research Involving Human Participants and Subjects <\/span><\/a><span style=\"font-weight: 400;\">and the new <\/span><a href=\"https:\/\/www.acm.org\/publications\/policies\/new-acm-policy-on-authorship\"><span style=\"font-weight: 400;\">ACM Publication Policy on Authorship<\/span><\/a><span style=\"font-weight: 400;\">. Alleged violations of this policy or any ACM Publications Policy will be investigated by ACM and may result in a full retraction of your paper, in addition to other potential penalties, as per ACM Publications Policy. <\/span><a href=\"https:\/\/medium.com\/sigchi\/acm-publications-policy-guidance-for-sigchi-venues-87332173aad1\"><span style=\"font-weight: 400;\">This post<\/span><\/a><span style=\"font-weight: 400;\"> provides a useful guide to the ACM publication policies.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Please ensure that you and your co-authors obtain an <\/span><a href=\"https:\/\/orcid.org\/\"><span style=\"font-weight: 400;\">ORCID ID<\/span><\/a><span style=\"font-weight: 400;\">, so you can complete the publishing process for your accepted paper. ACM has been involved in ORCID from the start and we have recently made a commitment to collect ORCID IDs from all of our published authors. The collection process has started and will roll out as a requirement throughout 2022. We are committed to improve author discoverability, ensure proper attribution and contribute to ongoing community efforts around name normalization; your ORCID ID will help in these efforts.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Accessibility: Accessible submissions are essential for reviewers and are good practice. Authors are expected to follow <\/span><a href=\"https:\/\/sigchi.org\/conferences\/author-resources\/accessibility-guide\/\"><span style=\"font-weight: 400;\">SIGCHI\u2019s Guide to an Accessible Submission<\/span><\/a><span style=\"font-weight: 400;\">. If you have any questions or concerns about creating accessible submissions, please contact the Accessibility Chairs at accessibility2024@cc.acm.org early in the writing process (the closer to the deadline, the less time the team will have to respond to individual requests). Papers flagged as inaccessible by a reviewer will have to be reassigned. Note that subcommittees strive to match the best reviewer to each paper \u2013 the best reviewers for the work may not be able to review an inaccessible submission.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Inclusivity: Authors should ensure their work and writing are as inclusive as possible; where this is not possible, it should be acknowledged. For example, authors should use gender-inclusive language when developing their papers (see e.g., <\/span><a href=\"https:\/\/www.morgan-klaus.com\/gender-guidelines.html\"><span style=\"font-weight: 400;\">HCI Guidelines for Gender Equity and Inclusivity<\/span><\/a><span style=\"font-weight: 400;\">) and consider what communities their work is \u2013 and is not \u2013 supporting, as well as their geographical context.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">At least one author of an accepted paper must register for the conference and present the work at the conference. Otherwise, the paper will not be published in the ACM digital library.\u00a0\u00a0<\/span><\/li>\n<\/ol>\n<h3 style=\"text-align: left;\">\u00a0<\/h3>\n<h3 style=\"text-align: left;\"><b>Where to Submit<\/b><\/h3>\n<p style=\"text-align: left;\">Please submit via the Precision Conference (PCS) website <a href=\"https:\/\/new.precisionconference.com\/submissions\">here<\/a>:<\/p>\n<p style=\"text-align: left;\">Once you have logged into the PCS website, select the following options (which will become available in December 2023) under \u201cSubmissions\u201d and click the Go button.<\/p>\n<ul style=\"text-align: left;\">\n<li>Society: SIGCHI<\/li>\n<li>Conference\/Journal: Creativity &amp; Cognition 2024<\/li>\n<li>Track: Creativity &amp; Cognition 2024 Papers<\/li>\n<\/ul>\n<h3>\u00a0<\/h3>\n<h3><b>Review Process<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Papers follow a rigorous blind peer review process. This process is managed by the Creativity &amp; Cognition 2024 Program Committee. Confidentiality of submissions is maintained throughout the review process. Each paper will be reviewed by two PC members along with two external reviewers. As in related conferences, papers will be reviewed based on the significance of the contribution, originality, validity, and the soundness of the arguments.<\/span><\/p>\n<h3>\u00a0<\/h3>\n<h3><b>Questions<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">For questions about the papers submission process, please reach out to <a href=\"mailto:papers2024@cc.acm.org\">papers2024@cc.acm.org<\/a>. For questions about the submission template, please reach out to <a href=\"mailto:publication2023@cc.acm.org\">publication2024@cc.acm.org<\/a>. <\/span><\/p>\n<p style=\"text-align: left;\"><!-- \/wp:paragraph --><\/p>\n<p><!-- \/wp:group --><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>2024 Call for Papers Important Dates Title and Abstract deadline: January 22, 2024 11:59 p.m.\u00a0 Paper Submission deadline: January 29, 2024 11:59 p.m.\u00a0 Notifications: April 1, 2024 11:59 p.m.\u00a0 Camera-Ready Completion Deadline: April 22, 2024 11:59 p.m. Deadlines are specified as Anywhere on Earth time. \u00a0 Papers Chairs Duri Long, Northwestern University Joel Chan, University&hellip;&nbsp;<a href=\"https:\/\/cc.acm.org\/2024\/papers\/\" class=\"\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Papers<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","_themeisle_gutenberg_block_has_review":false,"_ti_tpc_template_sync":false,"_ti_tpc_template_id":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages\/1497"}],"collection":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/comments?post=1497"}],"version-history":[{"count":124,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages\/1497\/revisions"}],"predecessor-version":[{"id":5574,"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/pages\/1497\/revisions\/5574"}],"wp:attachment":[{"href":"https:\/\/cc.acm.org\/2024\/wp-json\/wp\/v2\/media?parent=1497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}