Explainable AI for the Arts – XAIxArts3

Duration: Full-day 

Organizers:

• Corey Ford (Co-Chair), University of the Arts London, United Kingdom
• Elizabeth Wilson (Co-Chair), University of the Arts London, United Kingdom
• Nick Bryan-Kinns, University of the Arts London, United Kingdom
• Shuoyang Zheng, Queen Mary University of London, United Kingdom
• Terence Broad, University of the Arts London, United Kingdom
• Gabriel Vigliensoni, Concordia University, Canada
• Jeba Rezwana, Towson University, United States
• Lanxi Xiao, Tsinghua University, China
• Michael Clemens, University of Utah, United States
• Makayla Lewis, Kingston University, United Kingdom
• Drew Hemment, University of Edinburgh, United Kingdom
• Alan Chamberlain, University of Nottingham, United Kingdom
• Helen Kennedy, University of Nottingham, United Kingdom

Website/URL:  https://xaixarts.github.io/2025  

Contact Email: e.j.wilson@arts.ac.uk/c.ford@arts.ac.uk

Abstract:
The third workshop on Explainable AI for the Arts (XAIxArts) continues to bring together and expand a community of researchers and creative practitioners in Human-Computer Interaction (HCI), Interaction Design, AI, explainable AI (XAI), and Digital Arts to explore the role of XAI for the Arts. XAI is a key concern of Responsible and Human-Centred AI, emphasising the use of HCI techniques to explore how to make complicated and opaque AI models more understandable to people. The previous workshops moved from mapping the landscape of XAI for the Arts to co-developing an XAIxArts manifesto. To continue driving discourse on XAIxArts, this workshops anticipated outcomes are: 

1. Giving fresh insights into the evolving challenges of AI bias, transparency and inclusivity through discussion of current and emerging XAIxArts practices;
2. Co-developed speculative futures which expand XAIxArts discourse beyond post-hoc rationalisations of AI decisions into the imaginative possibilities AI as an interlocutor in the creative process; 
3. Creating plans for a co-developed proposal of an edited book on XAIxArts; 
4. Expanding community and engagement in wider discourse on Human-Centred AI. 

HCI in Visual Storytelling

Duration: Full-day 

Organizers: Mengyao Guo, Ze Gao, Kexin Nie, Jinda Han, Jie Fu, Guan Wang, Xin Wang, Zhishun Chi

Website/URL: www.vischi.org

Contact Email: guomengyao@hit.edu.cn/zegaoap@hotmail.com

Abstract:
Visual narrative methodologies provide a more comprehensive and intuitive framework for articulating the multifaceted interactions between human users and computational systems. This workshop guides participants through five segments: image-based storytelling, figure sketching, narrative development, practical exercises, and collaborative critique. Participants learn to translate complex interactive systems into clear visual narratives using both analog and digital techniques. Through structured activities and provided resources, they develop skills to effectively communicate user experiences, system behaviors, and design concepts across stakeholder groups. The workshop equips both new and experienced practitioners with tools to enhance design communication and cross-cultural collaboration in Human-Computer Interaction (HCI).

Individual and Collaborative Ideation in a Filmmaking Process

Duration: Half-day 

Organizers: corresponding author: Karen Pearlman, Jyoti Mistry, Richard James Allen

Website/URL: https://physicaltv.com.au/workshops/

Contact Email: karen.pearlman@mq.edu.au

Abstract:
Many practitioners in the film industries see AI as a threat to meaningful human employment, but have difficulty articulating what, specifically may be irreplaceable about human input in creative process. This workshop considers the question: can we identify specific aspects of human cognition and experience that are uniquely at work in creativity on complex technologically mediated productions? The workshop aims to provide an experience of some of the multiple and diverse manifestations of human creativity and dynamic human systems in creative film production. Through participating in a guided embodied, embedded, and enactive experience of generating film ideas, participants will develop a deeper understanding of the cognitive skills of collaborative creativity and the points at which human centrality in creation and consumption of cultural experiences should potentially be sustained and new insights into how and where they could potentially be augmented (not replaced) by AI tools.

Interaction Design as a Form of Decolonial Care

Duration: Half-day 

Organizers:

• Tania Villalobos Lujan, University of Calgary, tania.villalobosluja@ucalgary.ca
• Pratim Sengupta, University of Calgary, pratim.sengupta@ucalgary.ca
• Derya Akbaba, Linköping University, derya.akbaba@liu.se 
• Sofia Alessio-Robles, alessioroblessofia@gmail.com
• Amelia Lee Doğan, University of Washington, dogan@uw.edu
• Monica Meltis, Data Cívica, monica.meltis@datacivica.org
• Firuzeh Shokooh Valle, Franklin & Marshall College/University of Puerto Rico 
• Lora Oehlberg, University of Calgary, lora.oehlberg@ucalgary.ca

Website/URL: https://sites.google.com/view/intdesign-as-a-form-of-care

Contact Email: tania.villalobosluja@ucalgary.ca

Abstract:
As interaction designers address socially impactful issues, a caregiving approach introduces ethical and relational dimensions that enrich both research and practice. This workshop invites participants to view design as a community-centered practice responsive to diverse and often marginalized experiences. Through collaborative storytelling, reflection, and discussion, participants will explore the intersections of care with race, gender, and Southern epistemologies and perspectives, identifying strategies for fostering centring interconnectedness practices. By centering the voices of activists as knowledge holders in care praxis and feminists epistemologies, this workshop seeks to challenge dominant paradigms in Human-Computer Interaction (HCI). The workshop encourages participants to revisit and expand their own design practices in solidarity with “Others.” The workshop aims to foster a community of practice that supports socially responsible and care-centered methodologies, ultimately advancing HCI approaches that value ethical responsiveness, affective connections, interconnectedness, prioritizing subjective experience and constructing meaning collectively.

1st Workshop on Future Cinema and Performance in the Age of AI and XR

Duration: Half-day 

Organizers: Assem Kroma

Website/URL: https://www.futurecinemaandperformance.com/

Contact Email: akroma@fanshawec.ca

Abstract:
This workshop aims to become a platform for researchers and industry practitioners to explore the transformative impact of Artificial Intelligence (AI) and Extended Realities (XR) on cinema, and performing and performance arts. This workshop will discuss cutting-edge AI and XR techniques that enhance creative processes, production, audience engagement, ethical considerations and prototyping methods. By fostering collaboration, sharing innovative approaches, and identifying research opportunities, the workshop seeks to advance the integration of AI and XR in artistic domains through educated community action. Participants will benefit from keynote presentations, interactive sessions, and group discussions, contributing to a growing community dedicated to pioneering AI and XR-driven artistic practices.

Exploring the Creative Potential of AI in Filmmaking

Duration: Half-day 

Organizers: Zhijun Pan (Aldrich), Sergio Benini, Mick Grierson, Mattia Savardi, Tim J. Smith

Website/URL: https://sites.google.com/view/cc25-film-ai/home

Contact Email: a.pan@arts.ac.uk

Abstract:
This workshop explores the integration of Artificial Intelligence (AI) into filmmaking, focusing on AI-driven video content analysis (VCA), AI-assisted content creation, and ethical considerations. As AI continues to reshape creative workflows, it opens new possibilities for filmmaking while raising important questions about human-AI collaboration. The workshop aims to bridge perspectives between creative practitioners, industry professionals, and AI researchers, fostering interdisciplinary dialogue on AI’s evolving role in creative practice. We will discuss how AI-powered VCA advances film grammar analysis and audience cognition research, informing creative decision-making, and how generative AI supports production processes while expanding artistic possibilities. Additionally, we will examine how AI-driven analysis can inform ethical practices, alongside addressing the risks associated with generative AI. Through a combination of theoretical discussion and practical demonstrations, participants will gain hands-on experience with AI filmmaking tools while critically engaging with the future directions of AI-augmented creativity.

Stories for Change:Interactive Storytelling for Social Impact

Duration: Full-day 

Organizers:

• STEFFI KOHL∗, Zuyd University of Applied Sciences, Netherlands
• ED OVERES, Inteli Instituto, Brazil
• ADITY SAXENA, Woxsen University, India
• TANJA GODLEWSKI, IU Internationale Hochschule, Germany
• KAY SCHRÖDER†, Hochschule Düsseldorf, Germany

Website/URL: https://storytellers-for-change.github.io/website/

Contact Email: steffi.kohl@zuyd.nl

Abstract:
This workshop investigates interactive storytelling as a powerful tool for enhancing public engagement with pressing social issues, such as poverty, inequality, and climate change. Despite widespread awareness and access to data, these challenges persist, highlighting the need for innovative, creative approaches that move beyond mere information dissemination. Recognizing that social change requires deeper engagement and empathy, this workshop will explore both established and emerging design methodologies aimed at activating meaningful participation in social change initiatives. By convening a diverse group of researchers and practitioners, we aim to co-create a research agenda focused on enhancing engagement and fostering self-efficacy within communities. Through collaborative discussions and hands-on activities, participants will share insights and develop innovative strategies and shape a future research agenda. Ultimately, this workshop seeks to build a vibrant community committed to advancing practical solutions for social impact, bridging the gap between design practices and community needs.